{"id":769,"date":"2024-02-14T18:16:23","date_gmt":"2024-02-14T17:16:23","guid":{"rendered":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/?p=769"},"modified":"2024-06-12T19:19:46","modified_gmt":"2024-06-12T17:19:46","slug":"escola-secundaria-de-serpa-2","status":"publish","type":"post","link":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/2024\/02\/14\/escola-secundaria-de-serpa-2\/","title":{"rendered":"Escola Secund\u00e1ria de Serpa"},"content":{"rendered":"\n
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Foto de grupo Escola Secund\u00e1ria de Serpa \/ Group photo Escola Secund\u00e1ria de Serpa<\/figcaption><\/figure>\n\n\n\n

Ol\u00e1! Somos os alunos do 10\u00ba ano da escola secund\u00e1ria de Serpa e membros do club de cinema de Serpa. <\/p>\n\n\n\n

Hello! We are 10th grade students in the Serpa Secondary School and members of Serpa\u00b4s Cineclub. <\/p>\n\n\n\n

Somos a Cristina Teixeira, a Mafalda M\u00f3sca, a Carolina Barradas, a Iara Braz, a Mariana Pi\u00e7arra, o Ricardo Nunes, o Martim Biscoito, o Ros\u00e1rio Martins, a Filipa Janeiro, o Hugo Oliveira, a Tatiana Mendes, a Maria Cabral, o Rodrigo Mestre, a Sara Tavares, a Ana Valente, a Laura Paisana, a Lara Pereira, a Mariana Guerreiro, o Henrique Andrade, a Catarina Serra, o Bernardo Moita, a Marta Bentes, o Salvador Bentes e \u00c9rica Arce. <\/p>\n\n\n

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Visionamento e conversa a partir de excertos de filmes sobre a quest\u00e3o do ano em trabalho – Filmar o outro, o gesto documental.<\/figcaption><\/figure><\/div>\n\n\n

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Discussing and watching excerpts from documentary films during classes<\/p>\n\n\n

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Visionamento do filme \u00ab\u00a0Beppi\u00a0\u00bb de Johan van der Keuken \/ Watching the film \u00ab\u00a0Beppie\u00a0\u00bb by Johan van der Keuken<\/figcaption><\/figure><\/div>\n\n\n
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\u00a0\u00bb Nas duas primeiras sess\u00f5es apercebi-me da import\u00e2ncia do realizador num
filme e da sua rela\u00e7\u00e3o com as personagens, pois n\u00e3o tinha essa perce\u00e7\u00e3o. \u00a0\u00bb (Carolina Barradas)<\/p>\n\n\n\n

\u00ab\u00a0In the two first sessions we had i realized the importance of the director in a film and in his relation with the characters, which I didn\u00b4t understand before\u00a0\u00bb (Carolina Barradas)<\/p>\n\n\n\n

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Visionamento dos exerc\u00edcios dos alunos: \u00ab\u00a0Filmar o Trabalho\u00a0\u00bb<\/p>\n\n\n\n

Watching the exercises by the students: \u00ab\u00a0Labour in a Single Shot\u00a0\u00bb<\/p>\n\n\n\n

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Visionamento dos exerc\u00edcios dos alunos: \u00ab\u00a0Retrato de um Animal\u00a0\u00bb<\/p>\n\n\n\n

Watching the exercises by the students: \u00ab\u00a0Portrait of an animal\u00a0\u00bb<\/p>\n\n\n\n

\u201cO primeiro exerc\u00edcio do clube de cinema foi, sem d\u00favida, desafiante mas, ao mesmo tempo, muito interessante. O exerc\u00edcio deu-nos a liberdade de entender os nossos animais com quem convivemos no dia a dia e conhecer os seus pensamentos e emo\u00e7\u00f5es. Ao filmar as tartarugas, pudemos ver todas as suas particularidades exteriores mas, principalmente, os seus racioc\u00ednios e a forma de como vivem uma com a outra, dentro das quatro paredes de vidro que as limitam.\u201c – Marta Bentes e Salvador Bentes<\/p>\n\n\n\n

\u00ab\u00a0The first exercise in the cinema club was, undoubtedly challenging, but at the same time, really interesting. The exercise gave us the liberty to understand our animals with whom we share our daily life and get to know their thoughts and emotions. Filming the turtles, we saw all the exterior particularities but mainly their reasonings and the way they act with each other, inside the four glass walls that limit them\u00a0\u00bb – ENG.<\/p>\n\n\n

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\u00ab\u00a0O primeiro exerc\u00edcio foi um desafio muito interessante e algo que eu nunca tinha pensado fazer, que foi filmar o meu papagaio, que anda, habitualmente, pela casa. \u00c9 muito interessante como ele se move, como desliza nos espa\u00e7os em que pousa. Se n\u00e3o fosse esta filmagem, nem me tinha dado conta do quanto este animal \u00e9 particular e bonito. \u00a0\u00bb – Tatiana Caeiro<\/p>\n\n\n\n

\u00ab\u00a0The first exercise was a really interesting challenge and something I have never thought doing, which was filming my parrot, that usually walks by the house. Is really interesting how he moves, hoe we slides on the spaces he lies. If it wasn’t for this shooting, I would never realize how this animal is particularly beautiful.\u00a0\u00bb – ENG.<\/p>\n\n\n\n

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2\u00ba Exerc\u00edcio – Filmar algu\u00e9m (No Monte)<\/p>\n\n\n\n

Prepara\u00e7\u00e3o para a rodagem: visionamento e discuss\u00e3o de excertos de \u00ab\u00a0143, Rua do Deserto\u00a0\u00bb de Hassen Ferhani e \u00ab\u00a0As Tr\u00eas Irm\u00e3s de Yunnan\u00a0\u00bb de Wang Bing <\/p>\n\n\n\n

2\u00ba Exercise – Filming someone (On the Hill)<\/p>\n\n\n\n

Preparing for the shoot: watching and discussing excerpts from \u00ab\u00a0143, Sahara Street\u00a0\u00bb by Hassen Ferhani and \u00ab\u00a0Three Sisters\u00a0\u00bb by Wang Big<\/p>\n\n\n

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\u00a0\u00bb Gostei da experi\u00eancia das duas primeiras sess\u00f5es , pois sempre tinha visto o
Cinema como um mero passatempo e agora, j\u00e1 refleti sobre ele. \u00a0\u00bb ( Salvador
Bentes)<\/p>\n\n\n\n

\u00ab\u00a0I liked the experience from the two sessions, since I always saw the cinema as a mere passtime, and now I\u00b4ve reflected about it\u00a0\u00bb (Salvador Bentes)<\/p>\n\n\n\n

Rodagem do 2\u00ba exerc\u00edcio \/ Shooting the second exercise<\/p>\n\n\n\n

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\u00ab\u00a0O nosso objectivo era interligarmos os dois espa\u00e7os com uma coisa que ambos os lugares tinham em comum, e com certeza, o factor mais comum era a natureza\u00a0\u00bb – Ana Valente<\/p>\n\n\n\n

\u00ab\u00a0Our point was to interconnect these two spaces with one thing that both places had in comum and, surely, the most common factor was nature itself\u00a0\u00bb – ENG.<\/p>\n\n\n

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Fotogramas do Exerc\u00edcio 2 \/ Stills from the second exercise<\/p>\n\n\n

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3\u00ba Exerc\u00edcio – Apresenta\u00e7\u00e3o de um lugar (A Pedreira) \/ Third Exercise – Presentation of a place<\/p>\n\n\n\n

Prepara\u00e7\u00e3o para a rodagem: visualiza\u00e7\u00e3o e discuss\u00e3o de excertos do filme \u00ab\u00a0\u00catre et Avoir\u00a0\u00bb de Nicholas Philibert<\/p>\n\n\n\n

Third exercise – Presentation of a place (The Quarry)<\/p>\n\n\n\n

Preparing the shoot: watching and discussing excerpts from the film: \u00ab\u00a0\u00catre et Avoir\u00a0\u00bb by Nicholas Philibert<\/p>\n\n\n

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\u00a0\u00bb Acredito que o tema \u00ab\u00a0Filmar o outro\u00a0\u00bb nos ir\u00e1 permitir explorar a quest\u00e3o do
ser e sentir. Esta tem\u00e1tica oferece uma abordagem especial para a
compreens\u00e3o do outro, seja ele uma pessoa, uma cultura ou uma experi\u00eancia
distinta da nossa. \u00a0\u00bb (Marta Bentes)<\/p>\n\n\n\n

\u00ab\u00a0I believe that the theme \u00ab\u00a0Filming the other\u00a0\u00bb, will allow us to explore the matter of being and feeling. This subject matter offers a special approach to understand the other, whether that is a person, a culture or an experience different from our own\u00a0\u00bb (Marta Bentes)<\/p>\n\n\n\n

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Rodagem do 3\u00ba exerc\u00edcio \/ Shooting the third exercise<\/p>\n\n\n\n

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\u00ab\u00a0Penso que cumprimos os nossos objetivos e o resultado final ficou bastante interessante. Como operadora de c\u00e2mera adorei a minha experi\u00eancia neste projeto, de como a c\u00e2mera pode refletir as nossas emo\u00e7\u00f5es e pensamentos e mostr\u00e1-los de forma t\u00e3o diferente, t\u00e3o bonita e ao mesmo tempo t\u00e3o sincera…\u00a0\u00bb – Laura Paisana<\/p>\n\n\n\n

\u00ab\u00a0I think we have fulfilled our objectives and the final result was really interesting. As a camera operator I loved my experience in this project, how a camera can reflect our emotions and thoughts and show them in such a different way, so beautiful and at the same time so sincere\u00a0\u00bb -ENG.<\/p>\n\n\n\n

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\u00ab\u00a0Quer\u00edamos mostrar o quotidiano dos trabalhadores e o seu espa\u00e7o de trabalho, as hist\u00f3rias \u00e1rduas do trabalho pesado de ambos, as hist\u00f3rias de vida de cada um e os seus objectivos que s\u00e3o, nomeadamente, colocar comida na mesa no fim do dia\u00a0\u00bb – Laura Paisana<\/p>\n\n\n\n

\u00ab\u00a0We wanted to show the daily routine of this workers and their workspace, the harsh stories of their thought work, their life stories and their objectives that are, namely, put food on their plates at the end of the day\u00a0\u00bb – ENG.<\/p>\n\n\n

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Fotogramas do exerc\u00edcio 3 \/ Stills from the third exercise<\/p>\n\n\n\n

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\u00ab\u00a0Um dos objetivos da produ\u00e7\u00e3o deste filme foi mostrar principalmente a interce\u00e7\u00e3o entre a natureza e a interven\u00e7\u00e3o humana, explorando a ideia que mesmo locais de extra\u00e7\u00e3o podem ter uma beleza magn\u00edfica e servir como inspira\u00e7\u00e3o. \u00c9 tamb\u00e9m incentivar o p\u00fablico a refletir sobre a rela\u00e7\u00e3o entre humanos e meio ambiente, promovendo um senso de responsabilidade e admira\u00e7\u00e3o pela natureza\u00a0\u00bb – Henrique Andrade<\/p>\n\n\n\n

\u00ab\u00a0One of the points of the production of this movie was mainly to show the intersection between nature and human intervention, exploring the ideia that even the places of extraction can have a wonderful beauty and serve as inspiration. Is also a way to promote the public to reflect about the relation between the environment and human beings, promoting a sense of responsibility and admiration by nature.\u00a0\u00bb – ENG.<\/p>\n\n\n

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\u00ab\u00a0Como adoro cinema, esta experi\u00eancia est\u00e1 a ser um grande desafio. \u00a0\u00bb ( Laura Paisana)<\/p>\n\n\n\n

\u00ab\u00a0Because I love the Cinema, this project is turning out to be a great challenge\u00a0\u00bb (Laura Paisana)<\/p>\n\n\n\n

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A preparar a rodagem para o Filme Final<\/figcaption><\/figure>\n\n\n\n

\u00ab\u00a0O nosso filme final surgiu como o ponto de encontro entre os dois exerc\u00edcios filmados e trabalhados anteriormente: um monte e uma pedreira.\u00a0\u00bb – Marta Bentes<\/p>\n\n\n\n

\u00ab\u00a0Our final movie has emerged as a point between the two exercises filmed and worked before: a country house and a quarry.\u00a0\u00bb – ENG.<\/p>\n\n\n\n

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\u00ab\u00a0O objetivo era interligarmos estes dois espa\u00e7os bastante diferentes atrav\u00e9s de algo que fosse comum a ambos. A natureza \u00e9 um desses fatores comuns e, desta forma, foi atrav\u00e9s dela que relacion\u00e1mos n\u00e3o s\u00f3 os espa\u00e7os mas tamb\u00e9m as pessoas que l\u00e1 trabalham. O que fazem, porque \u00e9 que o fazem e como \u00e9 que isso os faz sentir. As filmagens e ideias foram surgindo com base numa ideia inicial que foi, posteriormente, trabalhada apenas quando est\u00e1vamos no local.\u00a0\u00bb – Marta Bentes<\/p>\n\n\n\n

\u00ab\u00a0The point is to interconnect these two really different spaces through something that was common to both. Nature is one of these common factors and, this way, it was through it that we related not only spaces but also the people who work there. What they do, why they do it and how that makes them feel. The shootings and ideas came to live based on a initial idea that was after worked only when we where in the place.\u00a0\u00bb – ENG.<\/p>\n\n\n\n

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\u00ab\u00a0O produto final tem o objetivo de, para al\u00e9m de dar a conhecer as paisagens alentejanas, dar a conhecer o trabalho que se \u00e9 praticado aqui e a raz\u00e3o, dada por um dos trabalhadores, pela qual estes exercem tal profiss\u00e3o: conseguir ter \u201cp\u00e3o na mesa\u201d.\u00a0\u00bb – Marta Bentes<\/p>\n\n\n\n

\u00ab\u00a0The final result has the point of, besides giving a picture of Alentejo’s landscape, showing the work which is here practiced and the reason, given by one of the workers, which why they do this job: Having \u00ab\u00a0Bread by the table\u00a0\u00bb – ENG.<\/p>\n\n\n

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\"\"<\/figure><\/div>","protected":false},"excerpt":{"rendered":"

Ol\u00e1! Somos os alunos do 10\u00ba ano da escola secund\u00e1ria de Serpa e membros do club de cinema de Serpa. Hello! We are 10th grade students in the Serpa Secondary School and members of Serpa\u00b4s Cineclub. Somos a Cristina Teixeira, … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":75,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"categories":[6,8,9,10,7,11,13],"tags":[],"_links":{"self":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/769"}],"collection":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/users\/75"}],"replies":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/comments?post=769"}],"version-history":[{"count":29,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/769\/revisions"}],"predecessor-version":[{"id":1925,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/769\/revisions\/1925"}],"wp:attachment":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/media?parent=769"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/categories?post=769"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/tags?post=769"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}