{"id":1742,"date":"2024-05-15T21:41:10","date_gmt":"2024-05-15T19:41:10","guid":{"rendered":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/?p=1742"},"modified":"2024-05-15T21:41:10","modified_gmt":"2024-05-15T19:41:10","slug":"nuit-et-brouillard-resnais","status":"publish","type":"post","link":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/2024\/05\/15\/nuit-et-brouillard-resnais\/","title":{"rendered":"Nuit et Brouillard (Resnais)"},"content":{"rendered":"\n

sobre Noite e Nevoeiro<\/em> de Resnais\u00a0 (1955) – texto de Joaquim Queiroz<\/strong><\/p>\n\n\n\n

O assunto e a sua natureza turbulenta n\u00e3o nos s\u00e3o tornados evidentes no come\u00e7o. Ao inv\u00e9s, somos introduzidos em ambientes pac\u00edficos com a presen\u00e7a dominante da Natureza sobre as ru\u00ednas do que s\u00f3 ent\u00e3o vimos a reconhecer como os campos de concentra\u00e7\u00e3o j\u00e1 abandonados. Apesar de reterem a sua qualidade objetiva, as imagens dos campos – as de outrora e as de Resnais – tornam-se emocionalmente significantes para o espectador que \u00e9 guiado pela m\u00fasica de Hanns Eisler e a voz-off de Michel Bouquet. \u201cNoite e Nevoeiro\u201d deixa de ser tanto sobre estes acontecimentos, tal qual existiram, e passa a ser sobre como nos encontrarmos neles. \u00c9 da\u00ed que surge a revolta e o horror que sentimos. Estas paisagens e imagens passam a pertencer a um plano mais profundo e pessoal. O que diz sobre cada um, individualmente, quando conseguimos encontrar um lugar para estas realidades dentro de n\u00f3s? Tal como se ouve Bouquet dizer, \u00abcontamos a n\u00f3s mesmos que tudo foi confinado a um local, num determinado tempo\u00bb. E estas imagens, m\u00fasica e palavras, ficam imortilizadas no nosso \u00edntimo.<\/p>\n\n\n\n

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about Nuit et Brouillard <\/em>(Resnais-1955) – text by Joaquim Queiroz<\/strong><\/p>\n\n\n\n

The subject and its turbulent nature are not made obvious to us at first. Instead, we are introduced to peaceful surroundings with the dominant presence of nature over the ruins of what we only then come to recognize as the now-abandoned concentration camps. Although they retain their objective quality, the images of the camps – those of yesteryear and those of Resnais – become emotionally significant for the viewer who is guided by Hanns Eisler’s music and Michel Bouquet’s voice-over. \u201cNight and Fog\u201d is no longer so much about these events as they existed, but about how we find ourselves in them. That’s where the revolt and horror we feel come from. These landscapes and images become part of a deeper, more personal plane. What does it say about each of us individually when we manage to find a place for these realities within ourselves? As Bouquet says, \u201cwe tell ourselves that everything was confined to one place at one time\u201d. And these images, music and words remain immortalized within us.<\/p>\n\n\n\n

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sobre Noite e Nevoeiro de Resnais\u00a0 (1955) – texto de Joaquim Queiroz O assunto e a sua natureza turbulenta n\u00e3o nos s\u00e3o tornados evidentes no come\u00e7o. Ao inv\u00e9s, somos introduzidos em ambientes pac\u00edficos com a presen\u00e7a dominante da Natureza sobre … Continuer la lecture →<\/span><\/a><\/p>\n","protected":false},"author":69,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"categories":[1],"tags":[],"_links":{"self":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/1742"}],"collection":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/comments?post=1742"}],"version-history":[{"count":1,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/1742\/revisions"}],"predecessor-version":[{"id":1745,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/posts\/1742\/revisions\/1745"}],"wp:attachment":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/media?parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/categories?post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/tags?post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}