{"id":24,"date":"2023-12-22T09:27:14","date_gmt":"2023-12-22T08:27:14","guid":{"rendered":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/?page_id=24"},"modified":"2023-12-28T11:32:38","modified_gmt":"2023-12-28T10:32:38","slug":"lanne-en-cours","status":"publish","type":"page","link":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/lanne-en-cours\/","title":{"rendered":"L&rsquo;ann\u00e9e en cours"},"content":{"rendered":"\n<p class=\"has-text-color has-medium-font-size\" style=\"color:#f86001\"><strong>Filmer l&rsquo;autre &#8211; Le geste documentaire<\/strong><\/p>\n\n\n\n<p>Le cin\u00e9ma documentaire est un continent du cin\u00e9ma, immense&nbsp;: on l\u2019approchera \u00e0 partir de quelques cin\u00e9astes, et d\u2019une question centrale qui donnera la direction de notre travail pour cette ann\u00e9e 2023-2024.<\/p>\n\n\n\n<p>Cette question c\u2019est celle de <strong>filmer l\u2019autre.<\/strong><\/p>\n\n\n\n<p>La grande vocation du cin\u00e9ma documentaire est celle de se confronter \u00e0 l\u2019alt\u00e9rit\u00e9.&nbsp;<\/p>\n\n\n\n<p>Cette confrontation n\u2019est pas seulement une question de cin\u00e9ma. Elle est essentielle dans la vie r\u00e9elle, surtout dans l\u2019enfance et la jeunesse. Elle engage la constitution m\u00eame de chaque individu en sujet unique dans son rapport au monde et aux autres.&nbsp;<\/p>\n\n\n\n<p>Cette question est aujourd\u2019hui plus cruciale que jamais \u00e0 l\u2019\u00e9poque des smartphones, des r\u00e9seaux sociaux, des influenceurs et des repliements identitaires. Pour Serge Daney c\u2019est la fonction m\u00eame du cin\u00e9ma de donner \u00e0 faire l\u2019exp\u00e9rience de l\u2019alt\u00e9rit\u00e9. C\u2019est l\u2019art le mieux plac\u00e9 pour cela\u2026<\/p>\n\n\n\n<p>Alain Bergala<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"has-text-color has-medium-font-size\" style=\"color:#f86001\"><strong>Filming the other &#8211; The Documentary Gesture<\/strong><\/p>\n\n\n\n<p>Documentary film is a huge continent of cinema: we&rsquo;ll be looking at it from the point of view of a few filmmakers, and a central question that will give direction to our work in 2023-2024.<\/p>\n\n\n\n<p>This question is <strong>filming the other<\/strong>.<\/p>\n\n\n\n<p>The great vocation of documentary cinema is to confront otherness.<\/p>\n\n\n\n<p>This confrontation is not just a question of cinema. It is essential in real life, especially in childhood and youth. It involves the very constitution of each individual as a unique subject in the relationship with the world and with others.&nbsp;<\/p>\n\n\n\n<p>This question is more crucial today than ever before, in an age of smartphones, social networks, influencers and identity withdrawal. For Serge Daney, it is the very function of cinema to provide an experience of otherness. It is the art form best placed to do this&#8230;<\/p>\n\n\n\n<p>Alain Bergala<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Filmer l&rsquo;autre &#8211; Le geste documentaire Le cin\u00e9ma documentaire est un continent du cin\u00e9ma, immense&nbsp;: on l\u2019approchera \u00e0 partir de quelques cin\u00e9astes, et d\u2019une question centrale qui donnera la direction de notre travail pour cette ann\u00e9e 2023-2024. Cette question c\u2019est &hellip; <a href=\"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/lanne-en-cours\/\">Continuer la lecture <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":""},"_links":{"self":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/pages\/24"}],"collection":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/comments?post=24"}],"version-history":[{"count":5,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/pages\/24\/revisions"}],"predecessor-version":[{"id":121,"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/pages\/24\/revisions\/121"}],"wp:attachment":[{"href":"http:\/\/blogcinemacentansdejeunesse.org\/filmer-l-autre\/wp-json\/wp\/v2\/media?parent=24"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}